Keren Cytter

<p>Keren Cytter creates films, video installations, and drawings that represent social realities through experimental modes of storytelling. Characterised by a non-linear, cyclical logic Cytter’s films consist of multiple layers of images; conversation; monologue, and narration systematically composed to undermine linguistic conventions and traditional interpretation schemata. Recalling amateur home movies and video diaries, these montages of impressions, memories, and imaginings are poetic and self-referential in composition.<br><br>Keren Cytter was born in 1977 in Tel Aviv, Israel. Selected solo exhibitions of Cytter’s work include Sex is not an option, Beverly’s, New York (2019), Size Matters, Hamlet, Zurich (2019), Center for Contemporary Art, Tel Aviv (2019), Mature Content, Museion Bolzano, Bolzano (2019), Killing Time Machine, Pilar Corrias, London and Galerija Vartai, Vilnius (2018), The Mirror of Simple Souls, SCHLOSS, Oslo (2017), Panoramas, Mathew Gallery, New York (2016), Ocean, Pilar Corrias Gallery, London (2016), Siren, Deweer Gallery, Ghent (2016), Keren Cytter Selection, Künstlerhaus Halle für Kunst & Medien, Graz (2016), Keren Cytter, Museum of Contemporary Art, Chicago (2015), and Rose Garden, Indianapolis Museum of Contemporary Art (2015).</p>