Zata Banks FRSA selects new poetry artworks for Daata Editions - The Soho Hotel Screening Room 21 Feb
2017-02-06 15:15:35<p>Daata Editions presents</p>
<p>Laura Focarazzo, Kate Jessop, C.O. Moed, Julian Scordato, Susanne Wiegner, Antoinette Zwirchmayr.</p>
<p>Selected by Zata Banks, FRSA</p>
<p>A short screening and a Q&A with Kate Jessop and Zata Banks, introduced by David Gryn.</p>
<p>The Soho Hotel Screening Room, 4 Richmond Mews, London W1D 3DH</p>
<p>Tuesday 21 February, 2017 at 6.30pm-8pm</p>
<p>Tickets are FREE</p>
<p>Please RSVP by Wed 15 Feb to <a href="mailto:info@daata-editions.com">info@daata-editions.com</a> (as numbers are limited)<br></p>
<p>Contact: David on +447711127848<br><a href="http://daata-editions.com/">http://daata-editions.com</a><br><br></p>
<p>Info<br>Zata Banks FRSA selects new poetry artworks for Daata Editions with a special launch viewing at The Soho Hotel Screening Room, London. Tues 21 Feb at 6.30pm.</p><p>This event has been organised to announce the release of these new artworks on Daata Editions selected by Zata Banks. Artists include: Laura Focarazzo, Kate Jessop, C.O. Moed, Julian Scordato, Susanne Wiegner, Antoinette Zwirchmayr. There will be a short screening along with a Q&A between artist Kate Jessop and curator Zata Banks, introduced by David Gryn.</p>
<p>Zata Banks renowned for her work with PoetryFilm, which she founded in 2002, has curated a selection of artists to make artworks for Daata Editions and its artists’ poetry section.</p>
<p><em>"Poetry is plural. These six new film artworks interrogate the language of poetry films, exploring the potential for expressing richer meanings through new interpretations of text, sound and image combinations.”</em><br></p>
<p>Kate Jessop is an award winning animation filmmaker whose work spans across animated shorts and artist’s film and video. She has exhibited extensively internationally, undertaking artist residencies in Berlin, Istanbul, Reykjavik and Manchester Metropolitan University.<br></p>
<p>Image still: Kate Jessop, Spinster, 2016 </p>